Why I make art
The poet Rumi said, “The breeze at dawn has secrets to tell you. Don’t go back to sleep.”
Making art is hard, terrifying, and lonely, but making art is also absolutely necessary. It is through the art-making process that I am best able to hear the secrets at dawn, and resist the desire to go back to sleep.
When I am actively making art—not just the time in my studio but the entire time I am actively considering potential works—I am more present and sensitive to my surroundings. The rich, but sometimes problematic, world of my inner thoughts begins to align with my external experience, and they dance playfully between the real and the imagined. Making art forces me to be open to the world, open to what I am experiencing and seeing, but more terrifyingly, I myself must also be open to sharing those experiences through my art.
I have no singular grand mission statement about what my art is or why it matters. I am just a painter, interpreting and reacting to what I see and what I believe is worthy of documentation and perhaps a little consideration. I believe that artwork without a viewer is just a passing thought the artist had. The viewer makes the thought real, and through their interpretation, the work becomes a conversation—and thus, you, my dear viewer, are also an essential part of the work.
About the work
My work encompasses a broad spectrum of subject matter. I like to explore the beauty of the mundane and seemingly ordinary, to offer a kind of documentation of time, place, and people.
I want the viewer to engage with the work, to impart some aspect of their own experience or understanding of what they are looking at. It is within this relationship between viewer and work that the art comes to life. I am not just documenting what I see, but what I believe is the essential experience of place and life, and how these two are so invariably intertwined.
In short, I want to paint life, and it is my hope that you feel it as much as you see it.